| Ident. | Authors (with country if any) | Title |
|---|
| 001289 (2007) |
Roberta Montemorra Marvin | Vincenzo Bellini nel secondo centenario della nascita. Atti del Convegno internazionale (Catania, 8–11 novembre 2001) |
| 001302 (2007) |
Mark Everist | The Diaries of Giacomo Meyerbeer, iv: 1857–1864 |
| 001303 (2007) |
Andrew V. Jones [Royaume-Uni] | The Composer as Dramatist: Handel’s Contribution to the Libretto of ‘Rodelinda’ |
| 001304 (2007) |
Michael Spitzer | The Characteristic Symphony in the Age of Haydn and Beethoven |
| 001328 (2007) |
Arnold Whittall | Messiaen |
| 001332 (2007) |
Philip V. Bohlman | Identity and the Arts in Diaspora Communities |
| 001333 (2007) |
Benjamin Wolf | Ibbs and Tillett: The Rise and Fall of a Musical Empire |
| 001334 (2007) |
Ben Earle | I Conservatori di musica durante il fascismo: La riforma del 1930. Storia e documenti |
| 001350 (2007) |
Marcia J. Citron | Composers in the Movies: Studies in Musical Biography |
| 001662 (2006) |
Jacqueline Waeber | Théâtre et opéra à l’âge classique: Une familière étrangeté. By Catherine Kintzler. pp. 335. Les Chemins de la musique. (Fayard, Paris, 2004. €20. ISBN 2-213-62125-X.) |
| 001663 (2006) |
Sterling E. Murray | Three String Quartets Op. 44 |
| 001676 (2006) |
Sarah Hibberd | Murder in the Cathedral? Stradella, Musical Power, and Performing the Past in 1830s Paris |
| 001679 (2006) |
Denis Mccaldin | Mass in C minor (K.427/417a) |
| 001683 (2006) |
Joseph P. Swain | How Sondheim Found his Sound. By Steve Swayne. pp. xvi + 320. (University of Michigan Press, Ann Arbor, 2005, $30. ISBN 0-472-11497-2.) |
| 001687 (2006) |
Lorraine Byrne | Goethes Musiktheater: Singspiele, Opern, Festspiele, ‘Faust’ |
| 001688 (2006) |
Nick Chadwick | German Modernism: Music and the Arts. By Walter Frisch. pp. x + 322. (University of California Press, Berkeley and Los Angeles, 2005, £29.95. ISBN 0-520-24301-3.) |
| 001690 (2006) |
Nicholas Rast | Franz Schubert: Music and Belief |
| 001691 (2006) |
Nicholas Rast | Franz Schubert: Das fragmentarische Werk |
| 001692 (2006) |
Pauline Fairclough | Five Operas and a Symphony: Words and Music in Russian Culture. By Boris Gasparov. pp. xxii + 268. Russian Literature and Throught. (Yale University Press, New Haven and London, 2005, £30. ISBN 0-300-10650-5.) |
| 001693 (2006) |
Stephen Cleobury | Face to Face with Orchestra and Chorus: A Handbook for Choral Conductors |
| 001694 (2006) |
H. Diack Johnstone | English 18th Century Concertos—An Inventory and Thematic Catalogue |
| 001698 (2006) |
Matthew Dirst | Easter Oratorio |
| 001702 (2006) |
Liz Garnett | Democracy and Music Education: Liberalism, Ethics, and the Politics of Practice |
| 001705 (2006) |
| Books Received |
| 001708 (2006) |
Lloyd Whitesell | Benjamin Britten and Samuel Barber: Their Lives and their Music. By Daniel Felsenfeld. pp. xii + 180; CD. Parallel Lives, 2. (Amadeus Press, Pompton Plains, NJ and Cambridge, 2005, $19.95. ISBN 1-57467-108-1.) |
| 001709 (2006) |
John Potter | Beggar at the Door: The Rise and Fall of Portamento in Singing |
| 001717 (2006) |
K. M. Knittel | ‘Late’, Last, and Least: On Being Beethoven’s Quartet in F Major, op. 135 |
| 001722 (2006) |
David Grayson | Words about Mozart: Essays in Honour of Stanley Sadie. Ed. by Dorothea Link with Judith Nagley. pp. xvi + 251. (Boydell, Woodbridge, 2005, £60. ISBN 0-85115-794-7.) |
| 001729 (2006) |
Brian Hart | Vincent D’Indy and the Development of the French Symphony |
| 001739 (2006) |
H. Diack Johnstone | The Solo Cantata in Eighteenth-Century Britain: A Thematic Catalog. Ed. by Paul F. Rice. pp. xxi + 463 (Harmonie Park Press, Warren, Mich., 2003, $65. ISBN 0-8990-114-X.) |
| 001740 (2006) |
Kenneth Birkin | The Richard Strauss Companion. Ed. by Mark-Daniel Schmid. pp. xvi + 466. (Praeger, Westport, Conn. and London, 2003, £65. ISBN 0-313-27901-2.) |
| 001756 (2006) |
Simon Mcveigh | Salomon and the Burneys: Private Patronage and a Public Career. By Ian Woodfield. pp. 83. RMA Monographs, 12. (Ashgate, Aldershot and Burlington, Vt., 2003, £35. ISBN 0-7546-3612-7.) |
| 001758 (2006) |
Hugh Benham | Robert Fayrfax, Masses Tecum principium and O quam glorifica, ed. Roger Bray. Early English Church Music, 45. Stainer & Bell, London, 2004, £55. ISBN 0-85249-883-7.) |
| 001761 (2006) |
Bjo Rn Heile | Recent Approaches to Experimental Music Theatre and Contemporary Opera |
| 001775 (2006) |
Julian Rushton | Nicolas-Etienne Framery and Lyric Theatre in Eighteenth-Century France. By Mark Darlow. pp. xi + 400. Studies on Voltaire and the Eighteenth Century, 2003: 11. (Voltaire Foundation, Oxford, 2003, £59. ISBN 0-7294-0836-1.) |
| 001787 (2006) |
Peter Dickinson | Mavericks and Other Traditions in American Music. By Michael Broyles. pp. x + 388. (Yale University Press, New Haven and London, 2004, £25. ISBN 0-300-10045-0.) |
| 001793 (2006) |
Sarah Hibberd | La Révolution des Bouffons: L’opéra italien au Théâtre de Monsieur 1789–1792. By Alessandro Di Profio. pp. 561. Sciences de la musique. (CNRS Éditions, Paris, 2003, €45. ISBN 2-271-06017-6.) |
| 001797 (2006) |
Richard Freedman | Jean Guyot de Chatelet. Chansons, ed. Annie Coeurdevey and Philippe Vendrix. Collection Épitome musicale. (Minerve, Paris, 2001, €23. ISBN 2-86931-099-4.) Le Rossignol musical des chansons (Antwerp, 1597), ed. Gerald R. Hoekstra. Recent Researches in the Music of the Renaissance, 138. (A–R Editions, Middleton, Wis., 2004, $94. ISBN 0-89579-555-8.) |
| 001809 (2006) |
Jeremy Barham | Gustav Mahler: Briefe und Musikautographen aus den Moldenhauer-Archiven in der Bayerischen Staatsbibliothek. pp. 248. Kulturstiftung der Länder, 157. (Kulturstiftung der Länder und Bayerische Staatsbibliothek, Munich, 2003. €14.80. ISSN 0941-7036.) |
| 001813 (2006) |
Julian Rushton | From Garrick to Gluck: Essays on Opera in the Age of Enlightenment. By Daniel Heartz and ed. by John A. Rice. pp. xvi + 335. Opera Series, 1. (Pendragon, Hillsdale, NY, 2004, $54. ISBN 1-57647-081-4.) |
| 001815 (2006) |
Laura Tunbridge | From Count to Chimney Sweep: Byron’s ‘Manfred’ in London Theatres |
| 001824 (2006) |
Marcia J. Citron | Encyclopedia of Opera on Screen: A Guide to More than 100 Years of Opera Films, Videos, and DVDs. By Ken Wlaschin. 2nd, rev. edn. pp. xiv + 872. (Yale University Press, New Haven and London, 2004, £45. ISBN 0-300-10263-1.) Cinema’s Illusions, Opera’s Allure: The Operatic Impulse in Film. By David Schroeder. pp. xii + 372. (Continuum, New York and London, 2003, £12.99. ISBN 0-8264-1536-9.) |
| 001825 (2006) |
Robin Wallace | Empress Marie Therese and Music at the Viennese Court, 1792–1807. By John A. Rice. pp. xx + 386. (Cambridge University Press, Cambridge, 2003, £47.50. ISBN 0-521-66330-X.) |
| 001847 (2006) |
| Books Received |
| 001934 (2005) |
| ‘Music & Letters’ Awards and Authors of Articles in This Issue |
| 001936 (2005) |
Christopher Morris | Words on Music: Essays in Honor of Andrew Porter on the Occasion of his 75th Birthday. Ed. by David Rosen and Claire Brook. pp. xiii + 346. Festschrift Series, 20. (Pendragon Press, Hillsdale, NY, 2004, £42.50. ISBN 1-57647-097-0.) |
| 001938 (2005) |
Stephanie E. Pitts | What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival |
| 001979 (2005) |
Tim Howell | The Cambridge Companion to Stravinsky. Ed. by Jonathan Cross. pp. xii + 327. Cambridge Companions to Music. (Cambridge University Press, Cambridge, 2003, £17.95. ISBN 0-521-66377-6.) |
| 001981 (2005) |
Colin Lawson | The Birth of the Orchestra: History of an Institution, 1650–1815. By John Spitzer and Neal Zaslaw. pp. xx + 614. (Oxford University Press, Oxford and New York, 2004, £95. ISBN 0-19-916434-3.) |
| 001A09 (2005) |
Michael Talbot | Review: The Scoring of Baroque Concertos |
| 001A10 (2005) |
Colin Lawson | Review: The Clarinet in the Classical Period |
